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Photo by Scott Rudd Productions 2020


Code of Ethics and Professional Practices

The Art Dealers Association of America, (“ADAA”) was founded in 1962 to promote the highest standards of connoisseurship, scholarship and ethical practices within the art dealing profession. By joining the ADAA, Members affirm their commitment to these standards and acknowledge that unethical conduct tarnishes the organization, its Members, and the art market.   

To guide Members in their efforts to conduct business professionally, fairly and with integrity, the ADAA has adopted this Code of Ethics and Professional Practices. The Code of Ethics is not a statement of what Members’ legal obligations are or should be. Members must independently ensure that they are following all applicable laws and regulations. Rather, the Code of Ethics is a resource for Members as they seek to handle their dealings with artists, clients, colleagues (including other Members), and the general public with honesty, courtesy, and respect.  

I. Clients

A. Buyers

(1) ADAA Members are expected to provide buyers and prospective buyers an accurate description of all objects that they offer for sale. Such description should include the identity of the artist, the dimensions and medium of the work, and any other relevant information. Members should issue the buyer a written invoice containing this description.  
(2) By issuing an invoice, a Member is representing to the buyer that the work is the authentic work of the artist named in the invoice, that clear and unencumbered title is passed to the buyer, and that any other material information provided on the invoice is accurate.
(3) Members exercise due diligence in verifying the authenticity of works of art that they offer for sale.
(4) Members do not knowingly buy, sell or exhibit works of art that are not authentic works of art by the artists to whom they are attributed.
(5) Members do not knowingly buy, sell or exhibit stolen works of art, and cooperate with law enforcement authorities in their efforts to identify, locate and recover stolen works.
(6) Members should satisfy themselves that the buyer is aware of significant known defects and restorations of works of art that they offer for sale.

B. Consignors

(1) A Member should enter into a written consignment agreement that contains a description of each work consigned (artist, title, medium, dimensions), the term of the consignment, the commission to the dealer or the net price to be paid to the consignor, responsibility for expenses, and any other significant term of the transaction. 
(2) Where a net price is quoted, the Member should satisfy themselves that the consignor understands that the Member will retain any amount received from a buyer that is in excess of the net price. 
(3) The consignor is expected to warrant that the work is the genuine work of the artist identified in the agreement and that clear and unencumbered title will pass when the work is sold by the Member. It also is expected that the consignor will indemnify the Member against any claim of breach of any express or implied warranty made by the consignor. 
(4) If requested, a Member should provide a consignor with a good faith estimate of the current fair market value of a consigned work. 
(5) A Member’s communications with the consignor regarding any aspect of the consignment must be accurate and never intentionally misleading. 
(6) A Member should notify the consignor when payment is received for a consigned work and make timely payment to the Consignor. 
(7) Members do not knowingly sell works of art that they are not authorized to sell, nor do Members sell works of art on terms that are not authorized by the consignor.

II. Artists

A Member representing an artist has responsibilities to the artist extending beyond selling the artist’s works. Those responsibilities may be divided into the (A) advisory, custodial and archival, and (B) financial.

A. Advisory, Custodial and Archival 

(1) A Member acts as an advisor to an artist represented by the Member. The Member seeks to enhance the artist’s reputation through exhibitions, publications, and by acting as an advocate for, and fostering scholarship regarding, the artist’s work. The Member is expected to sell the artist’s work responsibly and seek, where possible, to place the work in important public and private collections.
(2) A Member is expected to exhibit the artist’s work in such a manner, acceptable to the artist, as shows the work to best advantage.
(3) A Member is expected to act responsibly in the handling, packing, shipping and storage of the artist’s work.
(4) A Member is expected to maintain appropriate records of the artist’s works in the dealer’s custody and to maintain proper photographic archives and other documentation of those works.

B. Financial 

(1) A Member and an artist are expected to agree on the terms of the representation, including such expenses as shipments, insurance, photography, storage, framing and restoration. Under no circumstances should an artist be charged for the use of a Member’s gallery space for the exhibition of his or her art.
(2) A Member and an artist are expected to agree in advance on prices for the artist’s work as well as the percentage of proceeds to be paid to the Member as compensation.
(3) The Member and the artist are also expected to agree in advance on when and how the Member should account to and pay the artist after a sale is made and payment is received by the dealer. A Member is always expected to pay the artist his or her full portion of the proceeds of the sale of the artist’s work on a timely basis, and to take such steps as are necessary or required by law to assure that the artist’s share of the proceeds of the sale of a work of art is protected.
(4) A Member may never use work by one of its artists that is on consignment with the Member as collateral for any form of financing.
(5) A Member is expected to act in an honest and trustworthy manner in dealing with an artist and the works consigned by the artist.

III. Artists’ Estates

A Member has the same responsibilities to the estate of an artist as to a living artist. This includes the advisory, custodial and financial responsibilities listed above. Members are expected to be mindful that the artist no longer can be his or her own advocate and work actively to develop and foster the market for the artist’s works.

IV. Auctions

A. A Member who has an ownership interest in a work may not consign that work for auction with the intention of acquiring the work at the auction at a publicly enhanced price. 
B. A Member who owns or guarantees a work consigned to auction, or has any other financial interest in the sale of the work, is expected to disclose that fact to potential bidders on that work before he or she offers any advice about the work.
C. A Member may not bid on, or agree with others to refrain from bidding on, a work at auction solely for the purpose of enhancing or depressing the price.

V. Dealers

A. Members should seek to further mutual respect and enhance the public’s trust in art dealers. To that end, Members are expected to exercise care in making negative comments about other art dealers for the purpose of denigrating their reputations.
B. When a work is jointly owned with another art dealer, the Member should enter into a clear agreement concerning the price to be obtained, the terms of sale, insurance, and the sharing of costs.
C. When a Member consigns a work to another dealer the Member is expected to assure that (i) the consignment is consistent with the Member’s agreement with the owner of the work, (ii) the compensation to be paid to the other dealer is consistent with the Member’s agreement with the owner of the Work, (iii) the other dealer is aware of and has agreed to comply with any terms of the Member’s agreement with the owner of the Work that may affect the means or terms by which the other dealer may sell the work of art.
D. In any transaction in which another art dealer, advisor or other agent is acting for the counterparty to the transaction, a Member is expected to assure that it is clear who is being represented by the Member and who is being represented by the other art professional so that each professional may satisfy his or her responsibility to his or her client.
E. A Member does not seek or accept compensation from any party where such compensation would create a conflict with the Member’s responsibility to its principal in the transaction, unless such compensation has been disclosed to and approved by the Member’s principal.

VI. Art Fairs

The provisions of this Code of Ethics apply to Members with respect to all of their transactions, including their participation in art fairs.

VII. Gallery Management

Members are expected to treat their staff with courtesy and respect, and to comply with all applicable employment laws, including laws relating to any form of discrimination or sexual harassment.

VIII. Enforcement

A. Recognizing the importance to all Members of protecting the reputation of the ADAA, every Member is expected to respond receptively and cooperatively to good faith concerns raised by other Members with respect to works of art that are being offered for sale by the Member or other matters related to this Code of Ethics.
B. Claims that a Member has acted in violation of these guidelines should be made in writing to the Executive Director, who will cause each such claim to be investigated and will proceed in accordance with such rules as have been adopted by the Board of Directors. Violation of any provision of this Code may be grounds for censure, suspension or expulsion from the ADAA, or such other penalty as the ADAA, acting through its Board of Directors, may deem to be appropriate.