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New York, NY 10001
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Established in 2000, Yossi Milo Gallery is dedicated to providing a platform for an influential community of artists working in all media, including photography, painting, sculpture, video and drawing.
Artists Represented:
Linus Borgo
Nathalie Boutté
Matthew Brandt
Marco Breuer
Markus Brunetti
John Chiara
Angela Dufresne
John Gill
David Goldes
Hassan Hajjaj
Asif Hoque
Pieter Hugo
Jeremy Jaspers
Simen Johan
Sarah Anne Johnson
Pierre Knop
Myoung Ho Lee
Natia Lemay
Sze Tsung Nicolas Leong
Loretta Lux
Chris McCaw
Grace Metzler
Meghann Riepenhoff
Alison Rossiter
Mark Ruwedel
Ibrahim Said
Paolo Serra
Shikeith
Sanle Sory
Ezra Stoller 
Raya Terran
Cameron Welch
Nevet Yitzhak
Kohei Yoshiyuki
Works Available By:
Mike Brodie
Andrew Bush
Ben Cauchi
Daniel Gordon
Tim Hetherington
Asif Hoque
Chris Killip
Grace Metzler
Takuma Nakahira
Asako Narahashi
Muzi Quawson
Takashi Yasumura
Liu Zheng

 

 
Yossi Milo Gallery Interior, 2012. ©Esto/David Sundberg.


 
Current Exhibition

Markus Brunetti

FACADES III



March 16, 2023 - May 6, 2023
Yossi Milo Gallery is pleased to announce FACADES III, Markus Brunetti's third solo exhibition with the gallery. Opening on Thursday, March 16 and on view through Saturday, May 6, the exhibition will present new photographic works from Brunetti's ongoing series FACADES. Markus Brunetti's (b. 1965; Germany) most recent work continues his singular mission to document Europe's historic cathedrals, churches, monasteries, and synagogues in immaculate detail. With his partner, Betty Schoener, Brunetti travels the continent in a converted firetruck-turned-photo lab. Together, the two live and work on the road, returning to their subjects repeatedly over a period of several years and taking thousands of photographs of each structure. Brunetti then edits, layers, and arranges each frame to create a composite image that eschews the illusory effects of spatial perspective and provides an otherwise impossible, perfect view of the building's façade. Brunetti's practice is often likened to Bernd and Hilla Becher's serial documentation of German industrialization, yet the artist himself aligns his methods more closely with the tradition of Old Master painting. Like the masters of the Renaissance, the artist offers interpretations of his monumental subjects, not simply by photographing them, but by crafting a view of each structure according to his conceptual understanding of its architecture. Brunetti's images thus offer their own Bildsprache, or visual language, that translates the presence of each building in three-dimensional space into an idealized, two-dimensional image that showcases the finest details of every square-meter of the façade. In this way, the artist preserves the cultural heritage these structures embody, immortalizing them in his impeccable renderings. The unique embellishments and stylistic features of Brunetti's subjects take on new meaning when works from the series are placed in conversation. FACADES III presents images of sacred buildings from similar time periods and architectural movements, yet which differ vastly in their design, material, and construction. Included in the show is Cambridge, King's College Chapel (2014 - 2023), whose construction began in 1446 and was completed in 1515 in England. The church is an exemplar of Perpendicular Gothic architecture, with its clean vertical lines, large windows, and regular geometric embellishments. Likewise built in the latter half of the 15th century, the church depicted in Venezia, Santa Maria dei Miracoli (2006 - 2023) contrasts with King's College Chapel in its luscious, colored marble façade, curved arches, and small rounded windows. The variations in local resources, politics, and culture had immense impact on the construction of buildings that were erected much for the same purpose: as holy sites and testaments to the far reaches of human achievement and artistic philosophy. Brunetti devotes his painstaking process to creating works of art whose detail, effort, and devotion match that of the structures themselves. Since this project began in 2005, Markus Brunetti and Betty Schoener have spent nearly two decades travelling Europe and working ceaselessly to create their sublime renderings of some of humankind's most remarkable achievements. From Lincoln, The Cathedral Church of St. Mary (2006 - 2023) in England, to Lucca, San Michele In Foro (2012 - 2023) in Italy, to Cordoba, Mezquita-Catedral (2013 - 2023) in Spain, the historic sites Brunetti captures have stood the test of time as the world around them changed over the course of centuries, and are testament to humankind's artistry on a monumental scale. The artist's own rigorous and passionate practice translates these accomplishments into modern images, preserving the work of architects and laborers of centuries past, and offering evidence of their glory to contemporary audiences the world over. Markus Brunetti's FACADES have been featured in prominent group exhibitions, including PROPORTIO at Palazzo Fortuny, which coincided with the 57th Venice Biennale in Italy, and the 2015 Les Rencontres d'Arles Photographie Festival in France. The artist has presented solo exhibitions at the Chazen Museum of Art, Madison, WI; Museum of Fine Arts, Le Locle, Switzerland; Axel Vervoordt Gallery, Hong Kong, China, among others. Brunetti's work is held in the permanent collections of the Chazen Museum of Art, University of Wisconsin, Madison; Hood Museum of Art, Dartmouth College, Hanover, NH; Musée des Beaux-Arts, Le Locle, Switzerland; and the National Gallery of Canada, Ottawa, among others. Brunetti and his partner Betty Schoener live and work across Europe, always furthering the FACADES series.

 
Past Exhibitions

Navot Miller

Eurovision



February 2, 2023 - March 11, 2023
Yossi Milo Gallery is delighted to present Eurovision, Navot Miller’s first solo exhibition with the gallery. The show will open with an artist’s reception on Thursday, February 2, 2023 from 6–8 PM, and will be on view through Saturday, March 11, 2023. With his distinctively vibrant palette, Navot Miller (b. 1991; Israel) draws from the flow of moments and memories in his own life, presenting the landscapes, architecture, and people he sees with fresh, inquisitive eyes. Growing up in a rural Israeli village, Miller found it difficult to express himself and his identity as a young gay person. Upon relocating to Berlin as an adult, he found a community of creatives who opened up new possibilities for self-expression. Among them were curator Joel Mu, who introduced Miller to Berlin’s alternative art scene, and instructors Michael von Erlenbach and Kathrin Ruhlig, who became his most significant mentors. Today, Miller’s bold, colorful palette has become a means of expressing the parts of himself that remained hidden during his childhood. The new body of work in Eurovision presents the artist’s past year living in Berlin and travelling through Europe. Nodding to the hit international singing competition of the same name, Eurovision encapsulates Miller’s experiences while journeying across a continent, collecting memories and forging relationships along the way.

Meghan Riepenhoff

Meghann Riepenhoff: Ice



September 10, 2022 - October 22, 2022
Yossi Milo Gallery is pleased to present Meghann Riepenhoff’s third exhibition with the gallery, Ice. Coinciding with the exhibition, a monograph by the same name will be published by Radius Books in conjunction with Yossi Milo Gallery, featuring an essay by Rebecca Solnit. Ice opens Saturday, September 10, with an artist’s reception and book signing from 6:00 – 8:00 PM. The show will remain on view through Saturday, October 22. For her latest series Ice, Riepenhoff ventured deep into wintry climates to extract photographic records of water in its frozen states. Using the early photographic process of cyanotype, Riepenhoff creates images that not only depict, but are themselves the physical traces of ice in its varied forms. Traveling to various bodies of water across the United States, Riepenhoff immerses large sheets of cyanotype paper directly into the elements, allowing snow, ice, and freezing waters to coat the paper’s surface. The elements are then removed, both by way of the artist’s intervention and the natural propensity of ice to melt: a collaboration between artist and the immovable will of nature. Riepenhoff then exposes the paper to sunlight, allowing the effects of time and chemistry to unearth the intricate microstructures and cosmic vastness of ice normally hidden from the human eye. Works from Ice are richly varied in both color and form: swaths of deep indigo, icy blue, even pale yellow flood the cyanotype’s surface, occasionally punctuated by flashes of bright orange and fluorescent green. At a glance, the dramatic ebbs and flows of these colorful forms are reminiscent of color field painting. Yet, upon closer inspection, thousands of fine crystals become visible. The formation of ice crystals is a highly reactive process, dependent entirely upon the environments in which they reside; the slightest change in acidity, algae life, temperature, or presence of chemicals dramatically changes the behavior of each ice crystal. Cyanotype, a medium that similarly responds in a volatile fashion to its immediate surroundings, fittingly captures the diversity of ice formations, from the fractal minutia of mineral structures, to wavelike flushes of freezing water, to wispy ferns of delicate ice crystals. The myriad forms that populate Riepenhoff’s cyanotypes are testament to the dynamism of ice as a material, a microcosm of sorts that, despite its rigidity, is constantly changing. Change is a driving force behind Riepenhoff’s practice, both its natural progression and its acceleration due to human intervention. The inevitability of change over time manifests visually in Riepenhoff’s work, with the artist studying weather patterns and returning to the same location under identical conditions, yet never capturing the exact same image. For a number of works, the artist visited bodies of water that have suffered the pollutive runoff effects of the photography industry, capturing the effects of change as it happens imposingly at the hands of humans. This tension between natural and accelerated processes of change highlights a constancy in Riepenhoff’s work: the passage of time. Ice captures periods of time wherein water freezes and melts, a cyclical process that will persist through millennia. Meghann Riepenhoff’s (b. 1979; Atlanta, GA) work has been presented internationally in exhibitions across the globe, including at the Museum of Fine Arts, Boston, MA; High Museum of Art, Atlanta, GA; Crystal Bridges Museum of American Art, Bentonville, AR; Denver Art Museum, CO; C/O Berlin, Germany; Aperture Foundation, New York, NY; and Houston Center for Photography, Houston, TX. Her work is held in permanent collections across the United States, including those of the San Francisco Museum of Modern Art, CA; Harvard Art Museums, Cambridge, MA; Museum of Fine Arts, Houston, TX; and Museum of Contemporary Photography, Chicago, IL, among others. In 2018, the artist was selected as the John Simon Guggenheim Memorial Foundation Fellow. Riepenhoff earned her BFA in Photography from the University of Georgia, Athens, and her MFA from the San Francisco Art Institute. The artist divides her time between Bainbridge Island, WA, and San Francisco, CA.

Shikeith

grace comes violently



May 14, 2022 - June 25, 2022
The title grace comes violently is derived from a line in the Greek tragedy Agamemnon that reads “grace comes somehow violent.” For Shikeith, grace is not an unconditional gift, but rather a precarious stage in a stormy cycle of processing grief. In an incredibly thorough process of his own, Shikeith examines the stages of overwhelming loss and pain that precede grace, if it ever comes at all.

Cameron Welch

RUINS



March 24, 2022 - May 7, 2022
Cameron Welch meticulously assembles hand-cut bits of marble, stone, glass, and tile, to produce his monumental mosaics. His intricate compositions recount epic stories of contemporary life in America, laden with references to ancient mythology, art history, and the artist’s identity. Mosaic, the artist’s medium of choice, allows each constituent piece to embody its own history while simultaneously contributing to the work’s grander narrative.

Asif Hoque

Before Sunrise



February 10, 2022 - March 19, 2022
Developing from Hoque’s earlier works, these new paintings are populated with the signature figures of his personal mythology, borne from traditions of his Bangladeshi heritage, birthplace of Rome, and upbringing in southern Florida. However, the pieces presented in Before Sunrise embody growth at their core. Familiar characters, such as cupids, phoenixes, lions, and ceramic vessels, meet novel forms such as the Bengal tiger. Monumental in size, all of these works emanate the sensuality and exuberance of Brown joy.

Pierre Knop

Paysage Wonderlust



January 8, 2022 - February 5, 2022
The Club, 2021

Matthew Brandt

Carbon, Birch, Silver, Rooms



October 29, 2021 - December 23, 2021
Matthew Brandt’s fourth solo exhibition at the gallery continues his experimental processes inspired by the natural world. Featured are black carbon prints, laser-engraved birch plywood pieces, gelatin silver prints doused in liquid silver, and a selection of reclaimed chandeliers from various rooms. Together, these works address the interrelationship of light and dark, and their influence on the subject, material, and observer.

Paolo Serra

Homage to Sassetta



September 10, 2021 - October 23, 2021
Untitled, 2020

Hassan Hajjaj

My Rockstars



March 25, 2021 - May 15, 2021
Sarah Perles Gazin', 2015 / 1436 (Gregorian/Hijri)

Angela Dufresne

Long and Short Shots



January 14, 2021 - March 13, 2021

Kyle Meyer

Unidentified



January 12, 2021 - February 28, 2021
New work by Kyle Meyer on view at High Line Nine [507 West 27th Street] through February 28.

Sarah Anne Johnson

Woodland



October 22, 2020 - January 9, 2021
For her first solo exhibition at the gallery, Sarah Anne Johnson draws inspiration from her sense of intimacy and integration with the natural world, photographing trees in and around her native Manitoba. “Johnson’s transformed woodlands exude calming positivity and genuine optimism,” writes Loring Knoblauch in Collector Daily. “What emerges is a magical kaleidoscope of color nestled in among the trees.”

Alison Rossiter

Substance of Density 1918-1948



March 6, 2020 - July 3, 2020

Simen Johan

Conspiracy of Ravens



October 24, 2019 - December 7, 2019

Doron Langberg

Likeness



September 5, 2019 - October 19, 2019

African Spirits Group Exhibition



July 11, 2019 - August 23, 2019

Meghann Riepenhoff

Ecotone



May 2, 2019 - June 22, 2019

Felipe Baeza, Julia Bland, Arghavan Khosravi and Oren Pinhassi



March 14, 2019 - April 27, 2019

Karl Martin Holzhäuser

Lichtmalerei



January 17, 2019 - March 9, 2019

Painting with Light



January 17, 2019 - February 23, 2019

Kyle Meyer

Interwoven



November 1, 2018 - December 8, 2018

John Chiara

Pike Slip to Sugar Hill



September 6, 2018 - October 27, 2018

Intimacy



June 28, 2018 - August 24, 2018

Sory Sanlé

Volta Photo



April 28, 2018 - June 16, 2018