Susan Inglett Gallery

www.inglettgallery.com

522 West 24th Street
New York, NY 10011
212 647 9111

SUSAN INGLETT GALLERY is located in the heart of Chelsea in a ground floor space at 522 West 24th Street. The gallery provides representation for a range of artists, emerging to established, working across media. Continuing a pattern established early in its history, the gallery consciously develops a program of surprising juxtapositions within and between exhibitions alternating between single artist shows, curated group exhibitions and historical exhibitions. Gallery artists have appeared recently in the Hammer Biennial, Paris Triennale, Whitney Biennial, the Venice Biennale, the Carnegie International and Greater New York at P.S. 1 among many international venues.

Susan Inglett represents Benjamin Degen, Brendan Fernandes, Hope Gangloff, Channing Hansen, Maren Hassinger, George Herms, Martha Jackson Jarvis, The Estate of Robert Kobayashi, Marcia Kure, Allison Miller, Robyn O'Neil, Beverly Semmes, Greg Smith, William Villalongo, Ryan Wallace, and Wilmer Wilson IV.

Artists Represented:
Benjamin Degen

Brendan Fernandes
Hope Gangloff

Channing Hansen

Maren Hassinger
George Herms

Martha Jackson Jarvis

Estate of Robert Kobayashi
Marcia Kure
Allison Miller
Robyn O'Neil
Beverly Semmes
Greg Smith
William Villalongo
Ryan Wallace

Wilmer Wilson IV

Works Available By:
Bruce Conner
Sarah Charlesworth

Alain Kirili

Courtesy, Bill Orcutt

Current Exhibition

Hope Gangloff

May 1, 2025 - June 7, 2025

Hope Gangloff presents new paintings in her signature vibrant palette, depicting personal landscapes and reintroducing portraiture of the friends and neighbors that populate them.

Past Exhibitions

Maren Hassinger

March 20, 2025 - April 26, 2025

A show of new work by Maren Hassinger sees the artist employing her signature materiality of wire rope and twisted paper, as she emulates natural phenomena like wind and rain as an exploration of movement, nature, and our place within it.

Saya Woolfalk

The Woods Woman Method

January 31, 2025 - March 15, 2025

The Woods Woman Method is the newest manifestation of the artistÊs ongoing exploration of hybrid identity, accomplished through an elaborate fiction inspired by her own family background. Combining elements of African American, Japanese, and European cultures with allusions to anthropology, feminist theory, science fiction, Eastern religion, and fashion, Woolfalk depicts the story of a chimeric species she names the Empathics, botanic humanoid beings with a highly evolved ability to understand the experiences of others.

Nina Hartmann, Troy Montes Michie, Marilyn Minter, Natalie Ochoa, Erica Rutherford, Beverly Semmes, Susan Weil

The Boys Club (Redacted)

December 5, 2024 - January 25, 2025

Archetypal representations of sex, drugs, fame, and wealth are used to titillate and extort the masses. The assembled artists use the methodologies of Pop Art to interrogate the power systems bolstered by mass communication and to reclaim identity.

Martha Jackson Jarvis

What The Trees Have Seen II

October 17, 2024 - November 30, 2024

Martha Jackson Jarvis bears witness to her great-great-great-great grandfather's experience as a free Black militia man during the American Revolutionary War. In her large-scale abstract paintings, she tracks his physical and psychological journey through various landscapes, both foreign and familiar, embedding the work with deep-seated memories of time and place. Jarvis’ practice spans decades and media, ranging from large-scale sculpture and public art installations to works on paper.

William Schwedler

Against The Grain

September 3, 2024 - October 12, 2024

Susan Inglett Gallery presents the first exhibition of William Schwedler’s (b. 1942, d. 1982) work in New York since 1983. Among the early victims of the HIV/AIDS epidemic, Schwedler still managed to carve a space for himself in the New York scene. After attending the Art Institute among fellow artists who became known as the Chicago Imagists, Schwedler completed his studies at Pratt. While not a part of the group formally, Schwedler was deeply influenced by his Chicago peers, distinguishing himself by devising highly architected spaces devoid of the figure but not devoid of the uncanny.

Erensto Caivano

Overland

June 6, 2024 - July 19, 2024

Celestial bodies, flourishing vegetation, and towering formations of stone, rendered exquisitely in ink and graphite, welcome the viewer into Ernesto Caivano’s simultaneously foreign and familiar world. Caivano uses drawing and this modern-day mythogenesis as a way for the viewer to contemplate time, erosion, structures, impermanence, and the cosmos both within and without.

Beverly Semmes

Cut and Paste

April 25, 2024 - June 1, 2024

An important figure in third-wave feminist art, Semmes’s multidisciplinary practice spans fabric sculptures, ceramics, blown glass, fashion, film, photography and, more recently, collage-based painting. Semmes levels the playing field, using her favorite models along with long-coveted fabrics, shapes, objects, and patterns as fodder for an unhinged formalism. Her restless process of cutting and pasting leads the way.

Wilmer Wilson IV

Projections Through the Nictitating Membrane

March 14, 2024 - April 20, 2024

Wilmer Wilson IV explores the ever-changing relationship between the city and its inhabitants through an intermedia lexicon consisting of performance, photography, and sculpture. A love letter to the process, Wilson IV extrapolates while simultaneously simplifying his approach, expanding the lexicon of staple-as-mark. In this new body of work, the staple appears as a fully expressive line. Continuing to investigate the relationships between figure and environment, city and dweller, viewer and viewed, Wilson IV speculates impossible infrastructures and anonymous personas as surrogates for his inspection of sociality.

Ryan Wallace

Leaves Turn Inside You

February 1, 2024 - March 9, 2024

Ryan Wallace continues his process-based abstractions, forming hard-edged planes of seams, layers, and shapes to conjure an ethereal space between the material and immaterial.