Susan Inglett Gallery

Susan Inglett Gallery is pleased to present Process, Maren Hassinger’s third solo exhibition with the Gallery, from 20 April through 10 June 2023. The Gallery will host an opening reception with the artist on Thursday, 20 April from 6 – 8 PM. The artist will be present for a rolling installation 20 - 22 April 2023 and 18 - 20 May 2023 from 12 – 3 PM. Audience participation is invited and encouraged.

Susan Inglett Gallery and Specific Object are pleased to present “Monkey Business,” an exhibition curated by David Platzker examining the missing link between chimpanzees, Action Painting, and artwork generated by artificial intelligence platforms.

Susan Inglett Gallery is pleased to present “Paint and Tin” a survey of works by Robert Kobayashi (1925 - 2015), in his second exhibition with the gallery from 16 March to 15 April 2023.

Susan Inglett Gallery is pleased to present As We Breathe, a series of new paintings and works on paper by BENJAMIN DEGEN, in his fifth solo exhibition with the gallery from 2 February to 11 March 2023. The artist will be present 4 March 2023 from 5-7 PM.

In "The Burden of Wait," Jodi Hays and Michi Meko come together to present a selection of works rooted in their shared focus, the Southern landscape. The juxtaposition of Hays' colorful assemblages and Meko’s expansive paintings offer a nuanced narrative of the American South as a place of endless transformation. Placed side by side, these artists showcase the scope and material breadth of the Southern imagination.

The view from Hope Gangloff’s studio window prompts a cycle of paintings that trace a familiar landscape through the change of seasons. With a keen eye, the artist elevates moments once overlooked in the maelstrom of a hurried life.

Marcia Kure continues to explore our shared responsibilities in perpetuating networks of migration and exchange. Through drawing, sculpture, and collage. Kure offers a deeper consideration of past, present, and emerging systems of power.

a welter of fabric, faux fur, embroidery, flotsum and jetsum, Korean artist Woomin Kim pays homage to the overflowing markets of South Korea and Queens in a series of quilted wall hangings.

The exhibition American Animals represents both an expansion of O’Neil’s established oeuvre and an ambitious dive into new material strategies.

Words fail Greg Smith. So, Absent Word Double is an experiment-cum-exhibition in which the artist jettisons all but 2048 of them. The remaining 2048 words are both a truncated language and a future year taken from the BiP39 protocol (a preferred way of securing digital assets). As such, Absent Word Double is inspired by and implicated in the crypto-utopian project, embodying its optimism, its delusionality, and its commitment to D.I.Y. world-building. To quote the artist, Sometimes constraint is exactly what is required to slip the bonds. I respect the urge in the crypto/tech folks who, fed up with the garbage, attempt to start anew. Under the mountains of hype, people are serious about trying to do governance, social groups, and cities in a new way. There's potential, but I'm also deeply skeptical of the possibility of making a clean break. The gears spin furiously and promise so much; this project is both about how it breaks down, and how it can be used differently.

POT PEEK introducesthe latest manifestations ofBeverly Semmes’s ongoing Feminist Responsibility Project (FRP), a series of absurd, sexy, enigmatic canvases that conceal and complicate images gleaned from vintage gentlemen’s magazines. In 2003, Semmes was given a collection of Hustler and Penthouse back-issues. Spending time with the images and the women contained therein, the artist experienced a conflicting combination of desires — a motherly urge to protect these subjects from the sexualized gaze, and the impulse to spend a potentially unhealthy amount of time engaging the material.

Susan Inglett Gallery is pleased to present D.I.Y with Jessica Diamond, Sol LeWitt and Lawrence Weiner, an exhibition celebrating the release of the remaining sets of I.C. Edition’s conceptual 1993 project, DO-IT-YOURSELF. From 9 December 2021 through 29 January 2022, a display of the boxed edition will be accompanied by an installation of unique wall works from each of the original participating artists. The LeWitt Estate has proposed the installation of Sol LeWitt’s Wall Drawing #869, a copied line drawing with a not-straight black line at the midpoint of the height with successive red, yellow and blue lines repeated until the last full line at the bottom of the wall. In the spirit of D.I.Y. and conceptual art, this is a project that invites all comers to assist in its completion. For anyone who has ever said they can’t draw a straight line, now is your moment to shine! Our "DO-IT-YOURSELF" kit contains all necessary materials, diagrams and instructions for creating your own artwork by JESSICA DIAMOND, SOL LEWITT, and LAWRENCE WEINER. For the run of the exhibition, the Gallery will offer signed limited edition kits starting at $2,500.00 and a limited number of unlimited edition kits starting at $600. (Complimentary custom gift-wrapping included with purchase through the holiday.) With good humor, "DO-IT-YOURSELF" 1993 captures the essence of conceptual art. Each artist has contributed an idea for an artwork, or "the most important aspect of the work," according to Sol LeWitt. The execution is then left for you to "do-it-yourself". By selecting conceptual artists from three successive generations, the project emphasizes the diversity and staying power of the conceptual movement.

Wilmer Wilson IV's recent body of work commemorates the instantaneous convergence of molten bronze and the street, questioning whose presence can or should be given priority in our shared spaces.

Hansen’s work is intricate and labor-intensive from the transformation of fleece to a signature piece through knitting, felting and weaving. The design is determined by an algorithm set to make a “Chaning Hansen.”

Susan Inglett Gallery is pleased to present Re: Bicycling, a group exhibition organized by David Platzker of Specific Object with Alex Ostroy of the cycling apparel brand Ostroy, from 17 June to 23 July 2021. The exhibition will feature works by artists demonstrating the enlightening effect of bicycling from the modern era and beyond. This exhibition frames the 126 years from 1895 to 2021 with works by Nina Chanel Abney, Joseph Beuys, Ricardo Brey, Chris Burden, Rodney Graham, Louise Lawler, Christian Marclay, Jonathan Monk, Ebecho Muslimova, Claes Oldenburg and Coosje van Bruggen, Gabriel Orozco, Robert Rauschenberg, Edward Ruscha, Sarah Sze, Dorothea Tanning, and Géo Weiss (Emile Georges Weiss). The pieces consist of a wide range of materials, from vintage advertising to sculptural works that respond to bicycles in art and as tools of locomotion and exploration.

Susan Inglett Gallery is pleased to present We Are All Vessels, MAREN HASSINGER's second solo exhibition in the Gallery, from 29 April through 12 June 2021. The Gallery will host a limited-capacity reception with the artist on Saturday, 1 May from 1-5 PM that adheres to COVID-19 safety guidelines. Three large vessels framed in wire and clad in sheer fabric sway ethereally from the ceiling of the Gallery, two woven wire rope equivalents rest below feet firmly planted on the ground. Hassinger looks to the vessel for its rich history and symbolism, for its resonance with the human body. Scale brings these objects in direct communication with the viewer, while their anthropomorphic design sparks a sense of recognition. Hassinger observes that “vessel” is a term often ascribed to women. She asks that we free ourselves from the traditional limitations of that label, using her work to expand its meaning: “I believe that the word ‘people’ does not make the distinction of race, or gender, or class, or origin of any sort.” Hassinger shares the space with young artists, former students. By creating a platform where young and old, established and emerging, work together side by side equally, the project itself reinforces these signals of humanity. In the qualities shared by these vessels, and between us, we see our commonality writ large. We are indeed all Vessels.