Pace Gallery

Pace is pleased to detail Glenn Kaino’s first solo exhibition with the gallery since he joined the program in 2021. This show will spotlight a single large-scale installation that reflects Kaino’s decade-long collaboration with Olympic track and field athlete Tommie Smith.

Pace is pleased to present an exhibition of new and recent work by Indian artist Prabhavathi Meppayil. Known for her use of traditional Bangalorean goldsmithing tools and techniques, which have been passed down throughout generations in her family, Meppayil creates meticulous, subtle abstractions that bridge the past and future.

Pace is pleased to present an exhibition of new paintings by Robert Mangold, who for over six decades has investigated the possibilities of shape, line, and color as they relate to painting.

Pace is pleased to present an exhibition of new sculptures by Richard Tuttle, featuring wood and cast bronze works that reflect the artist’s longstanding engagement with material as a method for construction.

Pace and GRIMM are pleased to present a three-venue exhibition of William Monk’s new paintings and works on paper across both of their spaces in New York and Pace’s East Hampton gallery. This expansive presentation will mark Monk’s second exhibition in New York. Monk is known for his atmospheric, vibrant paintings that feature mysterious and otherworldly forms. His semiabstract paintings are deeply engaged with the rich tradition and history of the medium. The artist frequently creates works as part of a series, drawing on multifarious sources of inspiration connected to his own experience. Like his other bodies of work, Monk’s new paintings evade easy categorization and interpretation. As the artist has said, “Only after the work is complete do I become aware of specific past experiences that helped to inform it—perhaps in the same way that a dream picks up on certain conscious moments and twists them.” On the occasion of the exhibition, Pace Publishing and GRIMM will jointly produce a book featuring an essay by art historian and critic Suzanne Hudson and an interview with the artist conducted by poet John Yau.