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595 Madison Avenue, 6th Floor
New York, NY 10022
212 452 4646

Luxembourg + Co. presents curated, museum-quality exhibitions of works by modern masters and contemporary artists in its spaces in New York and London. Previously as Luxembourg & Dayan, the gallery has presented a number of critically acclaimed exhibitions that range in scope from focused considerations of historical and contemporary artists such as Paul Cezanne, René Magritte, Alberto Burri, Richard Prince and Derrick Adams to thematic and investigative surveys, which since 2011 have included GrisailleUnpainted Paintings, The Shaped Canvas, Revisited, and The Ends of Collage.

Artists Represented:
Derrick Adams
Rodolfo Aricò
Jean Arp
Enrico Baj
Anna Betbeze
Irma Blank
Alighiero Boetti
Alberto Burri
Pol Bury
Paul Cezanne
Alex da Corte
Gino de Dominicis
Jean Dubuffet
Marcel Duchamp
Max Ernst
Jean Fautrier
Giosetta Fiorini
Urs Fischer
Mark FLood
Lucio FOntana
Günther Forg
Alberto Giacometti
Domenico Gnoli
Raymond Hains
Yves Klein
Jeff Koons
Joan Miró
Guilo Paolini
Pino Pascali
Francis Picabia
Pablo Picasso
Michaelangelo Pistoletto
Sigmar Polke
Richard Prince
Rob Pruitt
Paolo Scheggi
Mario Schifano
Frank Stella
Cy Twombly
Piotr Uklański
Rebecca Ward
Fischli & Weiss
Franz West
Jerzy "Jurry" Zieliński

Past Exhibition

Joan Miró

Joan Miró: Feet on the Ground, Eyes on the Stars

September 7, 2022 - November 26, 2022
In September 2022 Luxembourg + Co. will officially open its new gallery space in New York City at the Fuller Building (on the corner of 57th Street and Madison Avenue) with an exhibition of paintings and drawings by Joan Miró from the years 1924–36. Held on the site of the historical Pierre Matisse Gallery (1931–89), where Miró made his North American debut in 1932, the exhibition will dive into the most formative and experimental decade in the artist’s career. Miró’s unique exploration of painting, drawing, collage and writing during this moment in time would define his unique visual vocabulary and his ground-breaking regard to painting and poetry alike. The exhibition is held on the occasion of the fiftieth anniversary of Miró’s seminal retrospective Joan Miró: Magnetic Fields, which was organised by Rosalind Krauss and Margit Rowell at the Solomon R. Guggenheim Museum, New York, in 1972. In an attempt to rethink Miró’s legacy in art of the last century, the show at Luxembourg + Co. follows a new scholarly proposition outlined by expert Eric Robertson, who suggests that the key to Miró’s work of the 1920s begins with his fascination with ground – both as a subject that connects to his Catalan roots (the brown soil represented so often in his paintings from this period) and as a technical interest in constructing the background of his pictorial universe. The exhibition, alongside Robertson’s argument, then continues to explore the formal language developed by Miró during the 1920s and early 1930s and the emergence of his unique symbolic vocabulary, encompassing numbers, letters and a whole range of idiosyncratic signs. The exhibition Joan Miró: Feet on the Ground, Eyes on the Stars will include loans from several collections in Europe and the United States, including the Pierre and Tana Matisse Foundation in New York and a prominent private collection in Germany that gathers a rare suite of drawings from the period. The project will be accompanied by a new book co-published with Ridinghouse, London, including a preface by Miró expert Jean-Louis Prat and an essay by Eric Robertson, Professor of Modern French Literary and Visual Culture at Royal Holloway, University of London.