Elizabeth Leach Gallery

Elizabeth Leach Gallery is pleased to present The Quiet Show, featuring a selection of 20 process-oriented artists whose transcendent artworks evoke stillness and contemplation.

Los Angeles-based artist Lacey Stoffer creates vibrant, abstract oil paintings on raw linen canvases with additions of charcoal and stitched thread. The exhibition Rumination features her new series of visual meditations inspired by musings on natural world phenomena and the passage of time.  Stoffer translates her ongoing contemplations and observations through active mark-making and considerations of bodily scale. She is deeply interested in pentimento, the visible traces of process through surface layers, which can be seen in swirling circular shapes, smudged velvety black charcoal lines, or animated erasures. Throughout the series, Stoffer builds on a singular form, morphing shapes and shifting colors through serial repetition, where brightly colored terrestrial formations expand and multiply. Lacey Stoffer was born in Portland, OR and now lives and works in Los Angeles, CA. She received a BFA from Otis College of Art and Design in 2013. Her large scale abstract paintings often incorporate organic forms on raw linen to play with the formal qualities of balance and middle ground. Stoffer has shown work in solo and group exhibitions at Pacific Design Center (West Hollywood, CA), 1019WEST (Inglewood, CA) and the Otis College of Art and Design (Los Angeles, CA).

In Cascade - Synapse and Satin, Alexis Day investigates perception and memory through three-dimensional tapestry constructions. Day studied psychology during her undergraduate studies before transitioning to an art practice and her dream-like imagery reflects a multidisciplinary approach that combines photographic printing on fabric with embroidered and sculptural details. The artist's psychologically charged pictures act as portals into mysterious domestic and exterior scenes that invite us to peer down a steep flight of stairs, enter into a hallway, or peek inside a living room. Dramatic vantage points combine with tactile materiality and underscore the visceral tension between pictorial and dimensional space. Day's voluminous artworks comprised of jewel-toned, draping fabrics suggest the collapse, shifts and tenuousness of memory while trompe l'oeil effects implicate the viewer in the exchange.  Alexis Day is a Portland-based mixed media artist, originally from the coastal town of Bandon, Oregon. Using her background in psychology, she investigates the impact of perception and memory on individual and cultural identity. Day earned an MFA in Visual Studies from the Pacific Northwest College of Art in 2019, a BS in Art Practices from Portland State University in 2016 and a BS in Psychology from the University of Oregon in 2010. Recent exhibitions include Putting it Together 2, at the Foundry (St. Charles, MO), Figuratively Speaking at the Liberty Arts Collective (Bend, OR) and Dismantled, a solo exhibition at the Lodge Gallery (Portland, OR).